About the Exhibition
We draw lines on the floor to play, to mark a goal, or to create a horizon between outside and inside. The line enters reality to define limits; so where does the line of home begin? For me, inhabiting a place is not static. It is an action, something tied to movement and existence. My work explores this idea, tracing a line through past and present as a process of rediscovery. Leaving means living without fixed ground, yet space persists in memory, stitched there through constant return. These recurring images transform transit into a kind of dwelling. What does it mean to draw a line if home is a verb? speaks to this refusal to disappear, rooms that collapse in one location only to rebuild in another, resisting erasure through reconstruction.
Nereida is offering a lecture as a free event here at VMOTA in conjunction with her exhibition.
See our YouTube channel for more content about our exhibitions.
Exhibition Gallery

Probabilidades de un punto central I 2024
Fabric, thread, and found photograph. Embroidery / collage on fabric.

Probabilidades de un punto central II 2024
Fabric, thread, and found photograph. Embroidery / collage on fabric.

Probabilidades de un punto central: Hilar momentos II 2023
Cotton paper, thread, and found photograph. Embroidery / collage on fabric.

Resisting erasure through reconstruction: Fragments of a landscape 2026
Fabric, thread, paper cutouts, photographs, wood. Installation on wall of 10 miniature embroidery collages on canvas.

Resisting erasure through reconstruction: Object for resting from my grandmother’s house 2026
Fabric, thread, and acrylic painting. Acrylic painting, textile and embroidery on canvas.

Resisting erasure through reconstruction: object for resting in 1997 2026
Fabric, thread, textiles, and acrylic painting. Acrylic painting, textile and embroidery on canvas.

Resisting erasure through reconstruction: object for resting in 2000 2026
Fabric, thread, textiles, and acrylic painting. Acrylic painting, textile and embroidery on canvas.

Seasonal rooms I 2025
Cotton paper, thread, ceramics, textile, found photograph. Embroidery / collage on paper.

Seasonal rooms II 2025
Cotton paper, thread, ceramics, textile. Embroidery / collage on paper.

Seasonal rooms III 2025
Cotton paper, thread, ceramics, and found photograph. Embroidery / collage on paper.









Traces of an existence I, II, III, IV, V, VI, VII, VIII, IX. 2023
Cotton paper, thread, and magazine paper cutouts. Embroidery / collage on paper.
Artist’s Statement
My work is an intimate exploration using recycled materials, textiles, found photos, and collage to question how we construct and inhabit physical and emotional spaces. Lines represent both connection and rupture by cutting, reassembling, and weaving, redefining narratives of the personal and collective. These narratives explore the past and present from a personal perspective and are a visual attempt to decode internal conflicts.
About the Artist
Nereida Dusten
Nereida Dusten (Hermosillo, Sonora, b. 1992) is a visual artist with a degree in Fine Arts from the Autonomous University of Baja California. She develops her work in the technique of embroidery and two-dimensional and three-dimensional collage. Throughout her career she has participated in numerous international group and solo exhibitions and biennials and developed an academic residency abroad. Dusten currently works at the State Center for the Arts of Baja California.
Financial support is provided by the City of San Diego.


