Mouth of Many Mothers

December 17 – January 31, 2026

About the Exhibition

As a new birthing person myself, the work of this moment is to give voice to the experience of being a womb bearing person. The weight of transformation as an act of survival is only relieved by rebirth. Each crocheted piece in this exhibit has been reborn of reclaimed fibers, to honor Mother Earth and the abundance she provides. Connecting one end of discarded yarn to another to form a whole new body out of what was left to stagnate keeps the creative river flowing.   

From plastic single-use grocery bags to hand spun hand-spun wool, these pieces are crocheted in the freeform, which means they are born without patterns or a guide, each stitch an act of choosing. Each piece of art is one of a kind and belongs only to itself.   

These works are inspired by the archetypes of the feminine as well as the Earth goddess herself. They seek to give voice to the womb of the earth and reveal the divinity of what is. If transformation is the river, then these womb people sit at her mouth, creating from refuse a new way of being.   

See our YouTube channel for more content about our exhibitions.

Exhibition Gallery

A person wearing a vibrant, intricately crocheted shawl with swirling patterns in green, brown, and orange hues.

The Artemis Hood 2022

Reclaimed cotton, Japanese wool, and silk blends of yarn, hand dyed. Crochet.
Colorful knitted bag resembling an owl's face, featuring intricate details like large eyes and a textured pattern.

Earth Goddess Tlaltecuhtli Bag 2023

Reclaimed cotton, acrylic wool fiber, rope, and suit ties. Freeform crochet.
A handmade, brown crocheted figure with feathered accents sits against a softly lit background, evoking a mystical presence.

Featherbrain 2023

Reclaimed coarse wool, foraged feathers of seagull, raven, and great horned owl. Freeform crochet.
Close-up of a colorful, textured crochet piece with concentric circles in beige, brown, and multicolors. The pattern resembles a stylized eye.

The Grandmother Tree Ent Bag 2023

Wool, acrylic and cotton fibers, reclaimed rope. Freeform crochet.
A colorful, crocheted whimsical face rests atop a fluffy, light-colored texture, enhancing the cozy atmosphere of the setting.

Head/Heart Dream Journal Pillow 2024

Blend of acrylic, wool, and cotton reclaimed fibers. Freeform crochet.
A person wearing a light-colored, oversized jacket, adjusting it on their shoulders against a dim, atmospheric backdrop.

Imelda’s Grin Jacket 2023

Upcycled corduroy jacket, acrylic, cotton wool fibers, and reclaimed stuffing. Freeform crochet.
A handmade crocheted feminine form in light gray with dark gray tips, sitting on a soft, fluffy cream background.

Mother’s Milk 2024

Reclaimed wool from Wisconsin. Crochet.
The Many Mother’s Maternity Dress has overalls on top, a crocheted striped bodice, and stretching skirt made of faces, creatures, and symbols of transformation.

Many Mother’s Maternity Dress 2025

Upcycled sweater, buttons, thread, reclaimed wool, alpaca, cotton, acrylic, and hand-dyed fibers. Freeforn crochet, hand-sewing.

About the Artist

  • Gael Rhyder

Gael Rhyder

Gael Rhyder is a multi-generational fiber artist who has been practicing the art of crochet for twenty-one years. They are self-taught and the sole proprietor of the creative company, The Winged Way. Their work is deeply inspired by the experience of womb people, the mythos of the goddess, and finding a sense of place in the natural as well as the global world. 

Rhyder grew up in the dense forests of the northeast, studied philosophy, human rights, and Women's and Gender Studies in Boston, and then moved to Bangladesh. Her work is influenced by the deities and radical feminist forces of nature that she was exposed to while living in Bangladesh and Taiwan, as well as her travels through Nepal, Kenya, Rwanda, Panama, Nicaragua, and India. After living in Taiwan, they moved to the high desert of Arizona and started The Winged Way at the dawn of the pandemic.  

Gael's creative expression is imperative to their ability to process the past and possess her own future. She is part of a long line of creative womb people and yet the first to center her livelihood in it. Her creative work is to tell the story of all they have witnessed, and it is through fibers she is finding her way to stitch it together.